Garages, huh?

Garages, huh?

Nadezhda Pavlyuchkova, yeah, garages,

Nadezhda Pavlyuchkova, yeah, garages,

Suvlehim Takats, we almost don't have those left, except on the outskirts.

Suvlehim Takats, we hardly have any of those left, except on the outskirts.

Nadezhda Pavlyuchkova, Yes, we have them too. Where once, not long ago, there were beautiful, homeless-looking courtyards, they've put up gates and everyone's hidden in the windows of individual apartments.

Nadezhda Pavlyuchkova, Yes, we have it too. Where before, not long ago, there were beautiful, homeless-looking courtyards, they put up gates and everyone hid in the windows of individual apartments.

Suvlehim Takats, Ashtriset, it's the same with us.

The lens was strategically chosen for this type of scene, providing complete immersion into the garage atmosphere.

The lens was chosen very strategically for this type of scene. It provides complete immersion in the garage atmosphere.

Pablo Ko., Yes, a standard lens would have looked much simpler.

A view through the eyes of a person who finds it easier to just settle down here than to walk home...🤪

A view through the eyes of a person who finds it easier to just sit here than to walk home...

Nikolay Burdin, and suddenly it's really bad, then go to the right color)

Nikolai Burdin, and the houses are different colors

Ewa Strzelecka, Well, just lie down and enjoy...)

Ewa Strzelecka, Well, just lie back and enjoy...)

Nikolay Burdin, it's like Vitenka, go see Cheburashka)

Nikolai Burdin, it's like Vitenka, go and see Cheburashka)

Ewa Strzelecka, Yeah, something like that...)