The bottom View crop was almost missing, the sequence is broken and this section View crop already seems superfluous. A more formalized version View crop
There are nuances, I agree. But I've already shown a formalized version (from a different angle), and here I've stitched together two frames to leave the top and the observer. Although I both like and dislike the overall monotony of the monochrome shot. Something in between.)
In my opinion, the processing is poor. Everything is too colorful, and therefore the interesting elements are lost. I actually spotted the person by accident, after staring at the picture for a few minutes. I blame the processing for that.
I also noticed it by chance: a year later. )) I wrote about the monotony of the photo as its characteristic. If I hadn't converted it to monochrome (that's all the processing) in this light, the color would have highlighted the objects and details. But that's exactly what I wanted.
There are no shadows, and the picture is kind of monotonous: the road blends in with the walls. I would manually darken some places with a brush for volume
There are nuances, I agree. But I've already shown a formalized version (from a different angle),
and here I've stitched together two frames to leave the top and the observer. Although I both like and dislike the overall monotony of the monochrome shot. Something in between.)
I also noticed it by chance: a year later. ))
I wrote about the monotony of the photo as its characteristic.
If I hadn't converted it to monochrome (that's all the processing) in this light, the color would have highlighted the objects and details.
But that's exactly what I wanted.
Sergey, I saw all of this and wrote about it.
The question isn't what's not here, but what is.
And is what's there enough for a photograph?
The Mediterranean is everything...))
Thanks. I'll have to look at the seals.
Or maybe in color, but tone it down.
But Mediterranean culture.)